The polished-cover pictures have names like good-final and scratch-new. Nobody can find which covers they came from. Bright streaks move between views. I'd rather rebuild the references than teach our UR5e inspection from filenames.
Get quality to identify accepted and rejected physical covers, then keep those identities with every image instead of promoting the filenames into inspection decisions.
Retire the old labelled copies from the shared training folder too. Otherwise someone will carry on using good-final because it sounds more authoritative than the new work in progress.
Possibly, but a visual match needs confirmation against the actual retained sample and its quality decision. A distinctive streak that changes with presentation is a particularly poor identifier.
Old labelled set is withdrawn. Quality is choosing new samples. We found one cover with a recognisable dent, but it has no old acceptance record. It will be assessed again.
Include presentation in the new capture plan. Identify the holder, seating and camera settings, and retain full frames. Otherwise the next maintainer may inherit perfectly named parts photographed in several unexplained ways.
Pavel, full frames are a good point. Our shared folder once held only crops, and the bit proving a sample was sitting differently had been helpfully removed.
Quality owns that handover. New samples are identified, with accepted and rejected decisions. The camera person is checking repeat seating before taking the full set. Thanks, Fiona; the old crops were still in a lesson attachment too.
Oliver, keep an accepted reflective example in the repeated-seating comparison as well as the rejected pieces. Both false rejection and a missed defect matter when the new images are reviewed.